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21st Century Perspectives on Music, Technology, and Culture: Listening Spaces, Richard Purcell (Editor)

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Magnificence and the Sublime in Medieval Aesthetics: Art, Architecture, Literature, Music, C. Stephen Jaeger (Editor)

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Dislocated Screen Memory: Narrating Trauma in Post-Yugoslav Cinema, Dijana Jelaca (Author)

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Klein, Sartre and Imagination in the Films of Ingmar Bergman, Dan Williams (Author)

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The Body and the Arts, Corinne Saunders (Editor)

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Pops in Pop Culture: Fatherhood, Masculinity, and the New Man, Elizabeth Podnieks (Editor)

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Akram Khan: Dancing New Interculturalism, Royona Mitra (Author)

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Besides the Screen: Moving Images Through Distribution, Promotion and Curation, Virginia Crisp (Editor)

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Maternal Horror Film: Melodrama and Motherhood, Sarah Arnold (Author)

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The Films of Wes Anderson: Critical Essays on an Indiewood Icon, Peter C. Kunze (Editor)

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Performance and Temporalisation: Time Happens, Stuart Grant (Editor)

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Curating Africa in the Age of Film Festivals, Lindiwe Dovey (Author)

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Vibratory Modernism, Anthony Enns (Editor)

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Postfeminism and Contemporary Hollywood Cinema, Joel Gwynne (Editor)

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Encounters in Performance Philosophy: Theatre, Performativity and the Practice of Theory, Laura Cull (Editor)

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Mise En Scene and Film Style: From Classical Hollywood to New Media Art, Adrian Martin (Author)

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Marx at the Movies: Revisiting History, Theory and Practice, Ewa Mazierska (Editor)

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Performing Objects and Theatrical Things, Marlis Schweitzer (Editor)

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Theatricality, Dark Tourism and Ethical Spectatorship: Absent Others, Emma Willis (Author)

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Digital Media Worlds: The New Economy of Media, Giuditta De Prato (Editor)

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3D Cinema: Optical Illusions and Tactile Experiences, Miriam Ross (Author)

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The Digital Television Revolution: Origins to Outcomes, Michael Starks (Author)

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Dance Ethnography and Global Perspectives: Identity, Embodiment and Culture, Linda E. Dankworth (Editor)

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Music and Diplomacy from the Early Modern Era to the Present, Rebekah Ahrendt (Editor)

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